1. This site uses cookies. By continuing to use this site, you are agreeing to our use of cookies. Learn More.
  2. WELCOME Grumblers
    Backup is now done at 3PM EDT. You may find the server down for up to two minutes at that time.

Surface used for assembling frames

Discussion in 'Picture Frame Design' started by joemillsaps, Nov 21, 2018.

  1. joemillsaps

    joemillsaps Grumbler

    was wondering what kind of surface most framers use on his or her table top for putting Frames together? We used carpet and it is not good. Anyone use felt or butcher paper? Thanks in advance.
     
    Attach-EZ
  2. bruce papier

    bruce papier MGF, Master Grumble Framer

    corrugated cardboard. If we have something real touchy, we put down a piece of the cushy white packing foam.
     
  3. Philliam Phulgor

    Philliam Phulgor CGF II, Certified Grumble Framer Level 2

    Craft/Butcher paper over the corrugated over plywood. Just don't keep layering paper over paper over paper.

    I save the carrier sheets/separation sheets from 32 x 40 (and larger) of:
    (A.) Perfect Mount
    (B.) Museum Glass
    (C.) Single Step
    All three are excellent for providing smooth, non-abrasive surfaces to lay frames face down on and/or mats on.
    It's a great chance to re-use and re-purpose before discarding.
    Also, if something is delicate and/or fragile you can just turn the sheets 1/4 turns without turning/sliding the art/mat/frame itself in some cases. Big table? Just go to the other side and pull all towards you.

    Plus, I just keep a couple cardboard tubes to roll the sheets into and save. Takes up no space at all.

    Makes me feel all warm and tingly that they don't end up in the trash right away.

    I also keep one table with a huge piece of 1/4" plate glass, all eight edges seamed (no sharp edges) that, again, with butcher paper
    on it and cardboard or scuffed matboard, plus my saved carrier sheets. Also, lift up the glass to put drymounted or wet mounted pieces under to dry/cool down flat to help minimize warping. Rolled original or s/n art (as long as no dimension/3D/heavy embossing) can be put under the glass for the week or two until it comes up on your framing queue. Really starts the flattening process.
     
    Rick Granick and joemillsaps like this.
  4. joemillsaps

    joemillsaps Grumbler


    Thanks Philliam
     
  5. Jim Miller

    Jim Miller SPFG, Supreme Picture Framing God

    My favorite worktable cover for the past twenty years is white 4 mm Coroplast (aka fluted polypropylene, aka polyflute). The surface is smooth, firm, yet soft enough to avoid damaging frame corners if accidentally bumped. The matte-white surface reflects some light and shows debris/contaminants, but it is non-hygroscopic and can be effectively cleaned using glass cleaner and/or SoftScrub. The plastic surface is like a slightly-self-healing cutting board, so it's much more durable than any sort of paperboard. The best feature is that, unlike paper and cardboard, the fluted polypropylene is non-abrasive, which is important.

    For about $16 per 48" x 96" sheet, it is affordable. When it gets too cut-up or dirty, just turn it over and use the other side. I generally recommend installing a new sheet two or three times a year.
     
    Philliam Phulgor and ckelley like this.
  6. joemillsaps

    joemillsaps Grumbler

    Thanks...I will check out a sheet and see how it does.
     
  7. Larry Peterson

    Larry Peterson PFG, Picture Framing God

Attach-EZ

Share This Page